Demonstrating the specific understandings of the concepts of tragedy and the tragic hero

He is a great man with respectable moral value and personality. True, crime as crime has no place in dramatic art. He would, through the constant habit of doing the acts of a slave, become slave like. He got that name and the terrible, tragic mark on his swollen feet because of the skewer that his parents had used to pin his feet together before throwing him.

She had to choose and chose as well as possible in the circumstances; she sacrificed the lower duty to the higher.

Firstly, it may be derived from an ignorance of some material fact or circumstance. For, a perfect person would be one who had his desires under control, and whose intellect is able to form the right calculations and the right practical inferences, so that he would formulate to himself ends more immediately within his power.

>Aristotle’s Concept of the Ideal Tragic Hero

It may be debatable as to whether the murder of a life-threatening stranger and the marriage of a consort are crimes. This is irrespective of the class to which he belongs.

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In his confidence upon what he knows and can do, he escapes from the professed evil fate, he kills a man old enough to be his father, and he marries a woman old enough to be his mother, without even doubting his wits. His position is indeed as frail as ours, and he fails like common men in one sense, and such frailty of human position is what tragedy has to make us realize.

Thirdly, the error may be voluntary, though not deliberate. It is, however, important to understand that the idealisation does not mean that the characters are good in a strictly moral sense.

The suffering is deserved, and we cannot feel pity for the one who suffers. It merely means that the characters live a more complete and intense life than the real men and women dare to in the real world.

He addresses them as "my children" as behooved of the good kings of those times. But he is essentially human, so that it is easy for us to identify ourselves with him and sympathise with him. He is of respectful towards the oracles, in the sense that he has been afraid of what they have told him, and he does respect Teiresias before he is insulted by the apparently unjust and false charges against him.

The likeness to life as we know of it is necessary, for it is only then that we can identify ourselves with the characters. His life embodies the paradox of the human situation in which such things as tragedies are not only inevitable but also inescapable.

As a king, he is an epitome itself. Nor, again should the downfall of an utter villain be exhibited. It is the most effective of tragedies. They held a position on exaltation in society. Despite his qualities, he falls because of his mistakes.

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This would be entirely alien to tragedy, says Aristotle. As a man, he is dedicated to fighting and avoiding evil. Readers acknowledge the wisdom that Oedipus gained from his suffering when he prays to the gods for forgiveness. This is evident in the beginning of the play when Teiresias and Oedipus are debating about who killed Laios.

Readers once again feel sympathetic towards the character Oedipus towards the end of the play as Oedipus finally recognizes and accepts the oracles prophecy as it was predicted when he was born.

But the result is disastrous. The tragedy which took place in Oedipus the King moved the readers by capturing suffering and pain and therefore learning a moral lesson from seeing a noble man with high social class suffer especially since Oedipus learnt a lesson from the pain that he experienced.

Readers also respond in a sympathetic manner towards Oedipus as he has been stripped of his political power and exited as a pitiful soul when he decides to exile himself from Thebes. The first characteristic demanded by Aristotle has struck many critics as somewhat strange and extraordinary.

It is true that in recent times Shaw and Eliot have made successful drama with saints as their tragic heroes.Answer this question demonstrating specific understandings of the concepts of Tragedy and the Tragic Hero. In the Greek play, King Oedipus written by Sophocles, certain characteristics, which determine the traits of a tragic hero.

Tragic Hero Definition: A tragic hero is a person, usually of noble birth, with heroic or potentially heroic qualities. This person is doomed by fate, some supernatural force to be destroyed, or endure great suffering. The hero struggles admirably against this fate, but fails because of a flaw or mistake.

Answer this question demonstrating specific understandings of the concepts of Tragedy and the Tragic Hero.

Oedipus The King Sophocles Essay Research Paper

In the Greek play, "King Oedipus" written by Sophocles, certain characteristics, which determine the traits of a tragic hero, reveal themselves as the play unfolds.

superiority. If the hero was imperfect or evil, then the audience would feel that he had gotten what he deserved.

It is important to strike a balance in the hero's character. Eventually the Aristotelian tragic hero dies a tragic death, having fallen from great heights and having made an irreversible mistake.

2) Is Oedipus a Tragic Hero?

Oedipus as a Tragic Hero

Answer this question demonstrating specific understandings of the concepts of Tragedy and the Tragic Hero. In the Greek play, "King Oedipus" written by Sophocles, certain characteristics, which determine the traits of a tragic hero, reveal themselves as the play unfolds.

These traits enable readers to enjoy a more enhanced. Aug 15,  · Modern tragedy has shown that tragedy is possible all its effectiveness even when the hero is ordinary and commonplace.

Rank and nobility of birth are now irrelevant. But the man who is the tragic hero should, nevertheless be a man of eminence, not of rank and position, as far as quality goes.

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Demonstrating the specific understandings of the concepts of tragedy and the tragic hero
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